![]() There’s a song that is literally about Nashville called “Landlocked Surf Rock.” It’s light hearted and full of energy and will be the first track on the album. The title of the album itself, The Cannonballers, was inspired by an old Opryland USA theme park rollercoaster that me and my brother used to ride all the time called “The Wabash Cannonball.” Lyrically, we spend a lot of time on the album revisiting old memories from our childhood here that call out how simple it used to be while also relating Nashville’s ever changing skyline to the unpredictability of life. We have been telling people that this album is, in a way, our love letter to Tennessee (and specifically Nashville). How did Nashville’s creatives, spaces and culture play into your latest project? We caught up with frontman Caleb Chapman to explore the meaning behind the new album and his thoughts on what makes Nashville creatively unique. With their fourth studio full length album The Cannonballers ( out Febru– presave available here), the band pens a love letter to their Tennessee childhood and the ever-changing nature of Nashville. Taking a moment to look back, Colony House’s career to date includes a remarkable foundation of media accolades (New York Times, Entertainment Weekly), late night appearances (Seth Meyers, Conan), festival slots (Bonnaroo, Lollapalooza) and, perhaps most importantly, an ardent fanbase that shares a love for the band’s immaculately crafted brand of landlocked surf rock. ![]() For the past 10 years, Colony House has been a torchbearer of Nashville’s indie rock legacy, carrying the flame from acts like The Features and Glossary to running alongside projects like COIN and Briston Maroney.
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